A公交车上一位小伙子上车没有找到座位，就往后一直走n experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of animation and live action, this intricate work embodies the idea of an ars combinatoria. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.